AllBayMusicMagazine
Vol. 6 • March Producers Issue • Web Edition
Interview

DJ Child — Interview

Pages 34–35 of the print issue

The Project Groundation founder on Philly skate roots, reggae mixtapes, and the marathon sessions behind What Happened To The World.

Page 34 Scan of All Bay Music Magazine Issue 6, page 34
Issue 6, page 34 — original scan

What is your stage name?

Deejay Child; the company name [is] “ProjectGroundation.com”.

Where are you from?

I grew up on a small farm in Central Pennsylvania til I was 9 — spent my teenage years in Philly & Boston — & have now lived in East Oakland for the past 13 years.

Tell us what was it like growing up there.

Skateboarding & Hip-Hop — that was [my life]. I basically lived at Love Park in Philly. I feel blessed I was a teenager in the mid-90’s. It was the dopest era to grow up on the East Coast.

What was your first memorable encounter with music that made you a music junkie?

When I was 10, I got a [guitar] and taught m[yself] every single Metallica song. From there it was a wrap.

What was a special time for you growing up in Hip Hop prior to becoming an artist?

Mid Nineties — skating with my Walkman, [bumping] Tony Touch, DJ Clue & Stone Love mixtapes.

Tell us one thing you learned from the Jacka?

It’s not just what [you] do with your life… it’s how you treat [people]. That’s how they gonna remember you.

Is music a profession or a calling for you?

Definitely a calling. I process all my emotions & express the things that I don’t know how to say through music. But don’t get it fucked up… I’m bout my business.

What are you currently working on musically?

[I] just released [a] full length [al]bum starring Jacka & Husa[lah] called “Mash On Babylon”. It’s available everywhere digitally & in stores. It’s all new material where I produced every track. We got features from M1 (Dead Prez), Freeway, Joe Blow, Ampichino, Dru Down, Street Knowledge, Lil Blood, Bandaide (Hoodstarz) etc. I just did a Street Album for RobLo that should be [out] within the next month & now I’m workin on one with Dru Down. I’m also bout halfway done with my next production/compilation album. Jack’s strategy was to push me as a DJ/Producer that’s branded like an artist… like Drama or Khaled. I’ma stay on that path.

Page 35 Scan of All Bay Music Magazine Issue 6, page 35
Issue 6, page 35 — original scan

How did you meet Jacka?

I moved to the Bay from Boston in 2003 — it was like I’d moved to a different country. I got linked with the Demolition Men to sell some tree, & met DJ Impereal, who’s originally from Corona, Queens, so we just hit it off naturally on that East Coast asshole type of vibe. I was doin the same thing as them but with Reggae — droppin’ mixtapes every month on my label, “Project Groundation Massive (PGM)”, with some of the biggest artists outta Jamaica & the Virgin Islands.

Me & Impereal would give our mixtapes to each other all the time. He told me 2 artists they worked with kept stealing my projects & wanted to meet me. It ended up being Jacka & Husalah. I had no idea who they were. When they played me the Mob shit, it was the first West Coast music I really fucked with. I met Jack, Hus & Fed-X a couple weeks later & we just instantly clicked, vibe wise. It was just like chillin’ with my bredren back East. I had no idea how big their music was — we just had a mutual respect for each other’s craft & became close friends. The rest is history.

Tell us about working with Jacka on the last couple albums just released.

In 2012, I went away for a lil while. I had a lot of time to meditate & I knew I had to switch things up drastically. So a year & change later, I got home. Jack came through & said “come fuck with the AR… I got you”. So I did. The first project we did was [the] “Write My Wrongs” mixtape with him & Freeway. It was to help hype up their album “Hiway Robbery”. After that, we began the epic journey that became “What Happened To The World”. We worked on that for almost a year. It was definitely a labor of love. We’d start mad sessions early afternoon & still be recording til’ the sun came up… sometimes there’d be 25 people in my lab… others, it was just us.

I loved working with Jack… there was no formula… everything unfolded organically. It was never contrived — it always turned out just the way it was supposed to. I think a lot of that is cuz we’d spend nuff time just talkin’ shit, laughin’… talkin’ bout life on some deep shit. That was & always will be my brother for reals… & more then anything, that’s why our music sounded the way it did… cuz we was family — & we always had that root foundation of trust & respect.

What’s your top 3 favorite artists of all time and why? Elaborate in a few sentences.

The 1st three that come to mind are Sizzla, Beanie Sigel & Jacka. All of them make me feel like I know them & what their life’s are like. They make me think about my life & have helped get me through certain circumstances.

One day you will not be here — what kind of legacy do you hope to leave behind?

I pray I gave more then I took.

How can people find you?

I pretty much only fuck with Instagram — @deejaychild — or www.projectgroundation.com.

Any last words?

Give thanks for including me in this issue. It means a lot to me. Give thanks to my friend, teacher & brother, Shaheed Akbar.

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